#Cultural Echoes in Music | Explore Tumblr posts and blogs

polyamorouspunk · 1 month ago

Text

“Why Don’t You Just Move?”

A look at rural queerness and the hardcore scene.

With the recent and still on-going tragedy left in the wake of Hurricane Helene, a lot of light is being shed on southern states that make up Appalachia.

There’s a lot of misconceptions about Appalachia and the southern United States as a whole. There are a lot of good users on this website that have put a lot of effort into combating these harmful stereotypes and clearing up misconceptions.

But there’s more than just Appalachia in the south. There’s a lot of middle ground. Places that aren’t as rural as Appalachia, but places that aren’t as populated as cities like Raleigh, Richmond, Memphis, etc.

Places where people gather surrounded by other agricultural hubs.

There are queer people everywhere. In every culture, every religion, every country, in all of history, we have existed. We cannot and we will not be erased.

A common narrative that’s floated around for many years is “if red states are passing laws that are constructive to the LGBT+ community, then why don’t those people just move?”

So why don’t we just move?

I’m sure you can find a lot of well-written posts on here explaining many reasons why queer people not just in the southern states, but all over the world don’t “just move”, and one reason I’ve seen echoed over and over again is that “we have thriving communities here too”. We exist too.

How does one “be punk”?

It’s a question my mutuals and I get a lot, and a lot of us are tired of hearing it.

What does it mean to be punk?

Is it about the music? The clothes? The politics? Can you be punk if? Is it punk if you? Who? What? Where? When?

One common beginner tip to “being punk” is to find and join the local scene. This can lead to a lot of other questions, though. What is a scene? Where does one find the scene? How does one participate in the scene? Is there a minimum requirement?

Rest assured, literally no one is asking this offline.

A hardcore scene is so much more than just hardcore. A scene is a group of people where music is a common thread that builds the basis of other connections. A hardcore scene isn’t necessarily even hardcore.

“You have to listen to punk music to be punk”. Sure. But here’s the thing. In your local hardcore scene you will find: metal musicians, rappers, and more. You will attend shows with blues music, orchestras, and more.

Sometimes it’s not even music at all! Sometimes there is drag! Sometimes there are movie nights! Sometimes there are group outings!

It’s almost like… it’s just a social construct.

What is the local scene? The local scene is loud music. It’s smoking and drinking. It’s stopping by the corner store and the smoke and vape. It’s carpooling. It’s movie nights. It’s text chains. It’s group chats. It’s he-said-she-said. It’s they said. It’s AMAB enbies. It’s people who don’t care about “passing”. It’s DIY HRT. It’s she was a lesbian until she met him. It’s situationships. It’s hooking up and coming down. It’s bouncing from place to place to meet up with each other. It’s showing up someplace and seeing who’s there and waiting around to see who’s coming. It’s late nights spent partying on the weekends and back to school and work come the weekdays. It’s knowing someone by looks or name even if you haven’t put the two together yet. It’s trading socials. It’s Instagram stories and comments. It’s “DM for Address”. It’s “are you going tonight?” It’s “do you need a ride?” It’s “who else is going?”. It’s going somewhere and asking who’s coming. It’s sitting around on broken chairs and lawn furniture passing around a blunt, sharing a 24 pack of beer that 4 of you ran out to get with money you all pooled together, it’s “should we order pizza?” It’s “I brought donuts”. It’s hanging out in each other’s houses and rooms. It’s respecting the businesses that offer to house you. It’s generational friendships. It’s listening to your friends as they joke about their heritage and talk about their cultures. It’s the dog you pet when you’re sitting on the curb in ripped fishnets taking drunk selfies with your friends. It’s the man playing you the harmonica as you sit outside the THC drink bar on a Saturday night. It’s sitting out in the yard listening to someone play an acoustic set where they talk about the war and poverty and politics while you slowly get high surrounded by your friends. It’s sitting on a dock in the middle of the night fishing listening to emo music huddled together with your friends. It’s autistic people showing each other the bugs they’ve found in the dirt. It’s talking about your disabilities together. It’s shoving your friends in the pit and then holding their hands. It’s seeing the cos guys in their 40s and 50s who tend the bar and work the register calling you by whatever name and pronouns you give them. It’s all of this and so much more, and it cannot be conceptualized by one single fashion style, one single music style, one single belief system. It’s not someone calling you out because you went to Chick-Fil-A and don’t you know that’s bad, it’s not someone telling you that you’re a poser because you like Chappell Roan too or your clothes were bought at Forever 21 not thrifted and DIYed.

Everyone likes to talk about folk punk and other genres that bands like Dayz and Daze have popularized- or according to some, commodified and commercialized- but if you’re going to talk about music like folk punk, you’re going to have to respect the areas that it originated in.

Everyone want’s to talk about “local punk bands” when half the bands you’re seeing don’t even fall under the genre of punk.

Your local scene isn’t always going to be skate parks and thrash music.

Sometimes it’s the mom cooking you and all your queer friends dinner on a Friday night in her kitchen with crosses and a picture frame of her family with the quote “live, laugh, love”.

Sometimes it’s sitting around and listening to men who are old enough to be your grandfather with Vietnam Veteran hats play the blues while a pig roasts in a backyard BBQ, even though you’re in your 20s and you have blue hair and pronouns.

It’s sitting around and listening to your elders talk about how the scene used to be “back in the day”. Talk about the shows they’ve been to, the bands they’ve seen in their prime.

It’s asking what you do for work, where do you live, what brought you down here, what’s your college major?

It’s people. It’s people connecting to people. Regardless of the color of their skin. Regardless of gender or sexuality. It’s people of all ages coming together to listen to music with the idea that what you all have in common is living here and now, hating politicians, and thinking that someone should do something about the shitty state the world is in. It’s not a conglomerate. It’s individuality, and there’s no real wrong way of doing it unless you’re a Trump Supporter or a Nazi, and even then, they still have their own factions of the punk scene that are going to overlap with yours on occasion. The best you can do then is stand up for what you believe in and stay safe.

There are scenes just like mine all over this country. In southern states, in rural areas, in places that other, mainly white queers have “written off”.

So why don’t we just move?

Because this is our scene, and it’s what we make it, and in the heart of the south in the Bible Belt, we’re making it a queer-inclusive space despite what’s happening around us.

#local scene #hardcore scene #music scene #hardcore punk #punk rock #cripple punk #crust punk #punk culture #queer culture #rural queer

2K notes · View notes

misstycloud · 5 months ago

Text

[Yandere.Rich man x ballerina reader]

(I don’t actually know much about ballet so forgive me if things are incorrect!)

—————

Rich. Yandere who was pestered by his friend and his wife to join them at the opera house and enjoy a performance. The couple had asked him numerous times before but he’d always declined. He was a workaholic and didn’t have any other commitments, so there was no need to break his routine. Although he would never admit it to anyone- he barely does to himself- he often find himself imagining a different life; one where he had a wife to welcome him home every evening. Perhaps a few children too. There was no sound besides himself and the staff in his home, it would be so very nice to hear the noise of running feet and happy chatter echo through the empty halls.

Rich. Yandere who is lonely above all else. His family is dead and he has next to no friends- the only one he has is married and devote all his time to keep him company. He knows that he doesn’t have the best track-record of being the kindest person in the world, and he might not be the friendliest or the most out-going, still, doesn’t he deserve some love too?

Rich. Yandere who eventually give into his friends demand and goes with them to the opera. As they took their seats- the expensive and best ones, of course- his friends wife babble on about her favourite dancer. They were regulars there and had seen many performances. He simply sighed and leaned back into his seat, waiting for the show to begin. He could only hope that it’ll be somewhat enjoyable since he doesn’t like wasting his time.

Rich. Yandere who was prepared for it to be a dreadful 3 hours, rubbing his eyes and suffering from lack of blood-flow in his legs. Oh how wrong he was. Instantly his gaze zoomed into you as soon as you stepped forward from behind the curtain. You were so beautiful and you moved your body gracefully to the music. It was magical. While he knew close to nothing about ballet, he knew that the point of it were for the women to look like they’re floating, and it’s exactly what you were doing.

Rich. Yandere who is instantly enamoured with you. As someone who’s never felt love this was all a brand new experience for him. He asked his friend and his wife if they knew who you were, since they frequent the opera so much. And turns out the wife did know who you were; you were her favourite after all. Rich. Yandere was never close with her or particularly liked her even, but he had to give it to her: she has excellent taste in performers.

Rich. Yandere who starts looking up information regarding you. It’s be your name, age, background, family, where you went to school and where you live. Everything. He also begins donating a lot of money to the opera house. In a short amount of time he’s become their nr.1 funder. The managers and owners are ecstatic at the news! They ask why he’s so generous and he simply answers that he loves culture and thinks it’s important it doesn’t disappear. Then, they wonder if there is anything they can do for him return, to which he smiles in response.

“Well, I do suppose there is one dancer I would be delighted to meet in person.”

Rich. Yandere who you feel uncomfortable around. He is so strange. You were just a normal ballerina, a dancer, no better or worse than anyone before your time. That’s why you can’t fathom the interest this wealthy man has taken in you. You two came form completely different worlds! But what can you do when your bosses not-so-gently urge you to see this man alone? You dont have any other skills and can’t apply to another job if you get fired.

Rich. Yandere who is determined to make you fall for him the way he has fallen for you. He’ll take care of you, love you and protect you. You don’t have to worry about a thing. He will do anything for his love.

“Don’t be scared, just keep on dancing, my little dancer.”

1K notes · View notes

captainmalewriter · 23 days ago

Text

Made to Order

Franco pulled up to the apartment building of his latest client. He parked his car along the street and sent his client a quick text letting him know he had arrived. Franco then pulled out a pair of earphones from the glove compartment, connected them to his phone’s jack port, and put them on. He then booted up a survey app. It greeted him with a light blue screen and a ‘Hello!’ in a British accent.

“Let’s see what kind of guy this dude paid good money to bang…” Franco muttered to himself as he pulled up the list of responses from the survey he sent to his clients. He scrolled to the latest data entry and skimmed it over. A grin formed on his face as he read it.

“Alright then! No time like the present, let’s get to work.”

He downloaded the data entry into his phone’s local storage and composed it into an audio file. Once it was ready, Franco pressed ‘play’ and leaned back in his seat as the makeshift music began to fill his ears. He took a deep breath and cleared his mind of any and all thoughts, allowing the music to submerge his mind and body with powerful subliminal messaging.

Gender: Male. Age: 24. Height: 6’4” ft. Weight: 170 lbs.

Franco groaned as a cold chill ran up his spine. As he grew taller and heavier, the muscles in his legs rapidly flexed and relaxed.

“Ohhh… Fuckk man…”

Franco couldn’t help but massage his aching body as he began to physically transform. He became hyper-aware of how his body felt and moved, which made touching his sensitive skin with his warm hands all the more pleasurable as it gradually changed. Franco moved the car seat back, as he needed the extra space to accommodate his sudden growth spurt. He gained several inches of height and about 30 pounds until he matched the size his client had requested.

Hair Color: Brown. Eye Color: Green. Facial Hair? Mustache only. Body Hair? Yes.

The next few details of Franco’s client’s request rang in his ear and reverberated throughout his body. He gripped the sides of his seat as he felt his body working overtime to pump out heavy quantities of hormones. He winced in pain as his dark brown eyes changed colors. They became lighter and lighter in hue until they were a brilliant shade of green that glimmered in the sunlight.

Franco’s hair was next to transform. The straight, black hair on his head grew lighter and curlier until he had wavy, brown hair. The skin on Franco’s upper lip tingled and itched as the hair follicles began rapidly growing in. Franco let out a heavy moan as his mustache hairs kept growing and growing until he had a thick mustache that hung over his lips. Once he had the right mustache, his underarm hair began growing, too. Franco only had a light dusting of pit hair, but thanks to his strange audio files, he could grow well past his natural limits. His armpit hair grew longer and thicker until he had a jungle of brown pit hair in his underarms. His pit hair had become so long that it even peeked out when Franco had his arms down!

Ethnicity: Mexican. Language: Spanish, or English w/ Accent.

Franco let out a sigh of relief as he heard the next three lines of the audio file. Thankfully, the next transformation would be more mental than physical, which gave Franco a chance to take a quick breather.

He relaxed against the headrest as the audio file echoed inside his mind. The more Franco heard his client’s preferences, the more his psyche changed to match his request. Suddenly, Franco was no longer a middle aged man from Midwest U.S.A. but a young Mexican man who had only recently immigrated into the country. His mind became filled with all sorts of new knowledge surrounding his Mexican heritage and culture, such as the Spanish language.

“Mmm… Que rico…” Franco purred sensually as his throat muscles broadened and his vocal cords thickened, granting him the heavy accent his client had requested. The audio file also gave him a deeper voice too. Although that detail was more for Franco’s personal enjoyment than anything else.

But despite his newfound knowledge, there was only one thing the newly transformed Franco desired: to fuck as many men as physically possible. There was nothing he loved more than seeing a man pressed down against a pillow as he railed them to the next Tuesday. Just the thought of a man’s bubble butt swallowing his dick was enough to make him start leaking.

Size: 7.5 inches. Breed: Dom top. Body odor: YES.

While Franco was busy relishing his new voice and fantasizing about his next bottom, the next line of the audio file played, triggering the final piece of the transformation. Franco threw his head back as the next wave of bodily sensations caught him off guard. He let out loud, guttural groans as his manhood grew obscenely erect until it filled in his underwear. Franco massaged his sensitive, throbbing member as it grew longer and fatter than what he originally had. Before he knew it, Franco’s new endowment ripped the fabric of his briefs. His dick sprang to life like it was just begging to be released and played with as soon as possible!

Franco wrapped his hand around his new dick and gave himself a few strokes just to test out his new tool. As he did so, a rank smell began to fill his car. It was sweaty, smelly, and addicting. That scent was none other than his natural body odor but kicked up to 100%. With the windows rolled down, Franco was becoming hot-boxed off his own tantalizing smell. Not that it really bothered him, as he was too busy admiring the glorious sight of his new, hung cock standing at full mast with a healthy bush of thick pubes to complete the look.

A tap on the window interrupted Franco’s moment of self-admiration. He glanced over and saw his client watching him with hungry eyes and a hand stuffed down his pants. Franco smirked, then rolled down his window.

“Hola papacito. ¿Te gusto?” Franco flexed his arms and winked at his client. The man nodded vigorously like a dog begging for a juicy steak. Then, he took a heavy whiff of Franco’s potent body odor and sighed, satisfied.

“I can’t wait any longer! C’mon, let’s get you inside!!”

Franco grinned. He loved the whiny sound of a man begging to get fucked. He tossed his phone and earphones to the side and followed his client up to his apartment, where he proceeded to show him the dom Mexican top he requested to fuck him hard and raw. Another man made to order, another man satisfied.

#male transformation #male tf #male shapeshift #mental change #race change #tf by tech #pit tf

450 notes · View notes

elliebarker · 8 months ago

Note

yessss cc fic plz there’s not nearly enough

fuɔk me. ( c. clark )

category: caitlin clark x girlfriend!reader (angst, fluff)

summary: after seeing you talking to another after one of her games, caitlin goes into an obsessive spiral of jealousy, unknowingly sending you down your own rabbit hole.

warnings: way sadder than i intended

word count: 1.2k

author’s note: i tried capital letters, y’all fw it?

_________________________________________

“I mean, it was electric, truly.”

Caitlin’s voice echoed into the microphone of a random media reporter who was interviewing her. She tried her best to stay focused on the questions whilst the camera clicked and pump-up music blared. Iowa had just won a home game and she knew you were in the crowd. She regained consciousness with the present and began answering the interview questions with basic textbook answers about ‘the Iowa culture’ and how great her shots felt, whilst scouring the stadium for you. You interlocked eyes and waved to her. She waved back and politely wrapped things up with the media girl (hehe) and headed your way.

In the minutes she had spent with her eyes off of you, an umich girl from the opposing team had walked up to you. She was, in Caitlin’s eyes, getting a little too friendly. Smirking, and smiling too wide. Caitlin backed away, choosing to head to her teammates instead and pose in photos with fans. See… people love me she thought. And we literally bet them and that fucking umich girl had the nerv-

“Caitlin!” you ran, hugging her from behind. “You do so good, omg!”

“Thanks, babe.” She slipped away from you, cold and isolated. Caitlin spent the night with the girls on her team, which wasn’t irregular for away games, but you were looking forward to getting to spend time with her when she was actually in town. You were slumped in your apartment, staring at yourself in the mirror, picking a pulling at your skin, hair, and hair. Meanwhile, Caitlin was glued to her phone in the corner of the room her teammates were in. Staring at that umich girl’s stats and Instagram. Caitlin knew she was a good player, she knew she was a good girlfriend, she knew you. She knew you wouldn’t do her wrong but she couldn’t stop thinking about it. About finding someone different. She knew she wasn’t there for you all the time, on account of her schedule with basketball that seemed never-ending. She felt like a bad girlfriend. You deserved the world, more than she could ever give you.

Sounds of shoes squeaking and balls dribbling filled her ears as Caitlin entered Iowa’s gym. After nights of stressing, overthinking, and flashes of your interaction with the umich girl appearing in her head, Caitlin was ready to clear her head with some practice. She stretched, dripped the ball a bit, and began shooting. First shot, miss. She went and grabbed the ball. Second shot, miss. Everyone has bad days. The third shot, she could barely focus, overwhelmed with this stinging feeling of inferiority as she missed that basket. “Fuɔk me,” she muttered under her breath. She suddenly turned around when she felt a hand on her shoulder. Kate was standing, now facing her. “Hey Caitlin, can we talk?”

“Yeah of course, what’s up?”

“I’ve noticed you’ve been kind of off…down, you okay?”

“Um yeah,” she tried to hold her guard up, “yeah, I’m fine.” She smiled, “Need to lock in.” Kate laughed, agreed, and went on with her practice.

Later that day you, being friendly with the Iowa team, reached out to Kate. You texted her,

You: hi kate!

i haven’t seen caitlin in a bit and just wanted to check in and make sure she’s doing okay

Kate: Hey! Thanks for reaching out, she has been acting a little weird.

I was going to ask you but I guess you don’t know what’s up either.

You: no, i don’t know

has she talked about me?

at all?

Kate: No, not really. Is everything okay?

You: (…)

You stared at your phone for a solid five minutes attempting to keep your emotions under control.

You: yep! everything's good

just been a hot minute since ive seen her

but thats prob just cause shes so busy lol

Kate: Fair. But if anything does you can always talk to me.’

You: awww thanks kate! that's so sweet.

Days passed and you finally got a day to spend with Caitlin. You had invited her over to your apartment. You had excitedly and worriedly done up your hair and makeup, cleaned and refreshed every inch of your apartment: fresh sheets and fresh flowers, and made sure to wear an outfit you knew she liked. You felt it in your bones that your behavior was suspicious and 100% fueled by insecurity but you told yourself that you were doing this to make Caitlin feel comfortable, let her relax from working so hard. Totally not convincing her to want to stay with you.

You and Caitlin were in your bed watching a tv-show and you could sense something was off. “Hey baby, can I get you anything?” you ask, trying to make yourself useful.

“Um, yeah sure,” she replied, “water works.” You scoot yourself off the bed and head to the kitchen. Caitlin watches as you walk away, thinking about how you’re perfect in every way. She pulls out her phone, and her most recent search on instagram, umich bitch, is controlling her thoughts again.

You come back with a glass of water for Caitlin and see she’s engulfed in her phone. Goddamnit you’ve bored her.

“I’m sorry,” you muster out. The stress of the possible end of your relationship that you conquered up in your head makes you almost fold into tears.

Caitlin sprung up, “Sorry, babe, sorry about what?” she went to hold you. You slithered yourself out of her arms,

“You’re probably sick of me, I need to stop holding onto you.”

“What?” Caitlin asked, “Okay, first of all, I would never be sick of you. You are the most gorgeous, fearless, kindest, perfect girl I’ve ever seen. I would be crazy to ever let you go. But I know you deserve, you need better than me.” your tears turned to happy ones as you exclaimed,

“Caitlin what? You are the best girlfriend in the whole wide world.” You grabbed her face in your hands as hers found their natural place around your hips.

“I love you,” she whispered before moving her face close to yours and kissing you passionately. Your arms wrapped themselves around her neck as you leaned into the kiss. You slightly pulled away, whispering back,

“I love you too.” Caitlin then pulled open her phone, to delete the umich player from her search history, but not without catching your nosy eye. “Wait. This was about her?”

“What?” Caitlin said, trying to sound clueless.

“I spoke to her for five seconds? Wait…you were jealous?” you inquired.

“No- I- who-” she stuttered, trying to deny it. “Also, I don’t get jealous.”

“You goofball,” you said, pulling her into a deeper kiss, to which Caitlin picked you up and plopped you back onto your bed, pulling you into her chest, and kissing your forehead.

“I don’t get jealous” she re-enstated.

“Mhmmmmm…” you replied, nodding your head, in a non-believeing tone. “Got it. Not jealous.”

“I’m being serious,” she said. You, too lazy to lift your head, nodded and closed your eyes falling into a deep sleep, to which Caitlin would follow you.

#caitlin clark x reader #caitlin clark #iowa wbb #iowa hawkeyes #wbb #ncaa wbb #wbb x reader #caitlin x reader #wbb fanfic #caitlin clark fic

851 notes · View notes

blueiscoool · 1 year ago

Text

The 'Carnyx' Nightmare of the Roman Soldiers

The Carnyx was a brass musical instrument used as a psychological weapon of war by the ancient Celts between 300 BC and 200AD in western and central Europe and beyond.

The carnyx was once widespread throughout much of Europe, although only a dozen or so fragments are known to us.

It was carried by bands of Celtic mercenaries; it was present at the attack on the Greek sanctuary at Delphi in 279 BC; it defied Julius Caesar in Gaul; and it faced Claudius when he invaded Britain. They are even shown on a Buddhist sculpture in India, proof of the far-flung connections of the Iron Age world.

However, they were not only used by the Celts; they were also used by the Dacians in modern Romania. The term “Celtic” is a complicated one. The concept of a pan-European Celtic culture is a myth; rather, aspects of art and technology were shared across vast distances by diverse cultures. The carnyx was one example of this.

A 12-foot-long, thin bronze tube with right-angle bends on both ends made up the carnyx. The lower end ended in a mouthpiece, and the upper end flared out into a bell that was usually decorated to look like a wild boar’s had. Historians believe it had a tongue that flapped up and down, increasing the noise made by the instrument. The carnyx was played upright so that the boar’s head bell protruded well above the warriors’ heads. Its primary goal was to create more noise and confusion on the battlefield.

The Greek historian Polybius (206-126BC) was so impressed by the clamor of the Gallic army and the sound of the carnyx, he observed that “there were countless trumpeters and horn blowers and since the whole army was shouting its war cries at the same time there was such a confused sound that the noise seemed to come not only from the trumpeters and the soldiers but also from the countryside which was joining in the echo”.

And the Roman historian Diodorus Siculus wrote, “Their trumpets are also of a peculiar and barbaric kind which produce a harsh, reverberating sound suitable to the confusion of battle.”

Archaeologists discovered a hoard of ritually destroyed weapons in 2004, including a dozen swords, scabbards, spearheads, a shield, bronze helmets, an iron helmet shaped like a swan, a cauldron, animal remains, and seven carnyces. Before the Tintignac discovery, the remains of only five actual carnyces had been found.

The finest was unearthed in Deskford, Scotland in 1816. The Deskford carnyx only has the boar’s head bell and is missing the mane, tongue, and tubing. Images of Carnyx players have been found as well. A Roman denarius, dating from 48 BC bears a representation of a Carnyx. Three carnyx players are featured prominently on the Gundestrup Cauldron, which was found in a Danish peat bog.

One of the seven found at Tintignac, on the other hand, was almost entirely complete. The Tintignac Carnyx was broken into 40 pieces. When puzzled back together, it was found to be just an inch short of six feet long with a single missing section of the tube. The bell was a boar’s head with protruding tusks and large pointed ears. Once restored, the Tintignac Carnyx proved to be the first virtually complete carnyx ever found.

By Leman Altuntaş.

Music video by John Kenny.

#The Carnyx #The 'Carnyx' Nightmare of the Roman Soldiers #Iron Age war trumpet #ancient artifacts #archeology #archeolgst #history #history news #ancient culture #ancient civilizations #celtic mythology #celtic history #roman history #roman empire #roman legion

3K notes · View notes

satellite-evans · 6 months ago

Text

Familiar Echoes

Pairing: Benedict Bridgerton x reader

Summary: When Y/N, the daughter of the duke of Ashbourne returns to Aubrey Hall, old feelings resurface between her and Benedict Bridgerton, sparking tension and intrigue. As they navigate past misunderstandings with the support of their families, they must confront their emotions and decide if their childhood bond can evolve into something more.

Word count: 4.7k words

Warnings: fluff, a little angst, mention of nude models, childhood friends, misunderstanding

A/N:

Hi everyone, this is my first Benedict fic so I am very excited, hope you guys will like it :)

English is not my first language, so I apologize if I made any (grammar) mistakes. Feedback, requests, recommendations, vents or questions are always welcome. I love talking to you guys about anything <3

Happy reading xxx

I do NOT give permission for my work to be translated or reposted on here or any other site.

The sun cast a warm, golden glow over Aubrey Hall, its rays filtering through the trees and illuminating the vibrant gardens where the Bridgerton children played. Benedict Bridgerton, with his dark curls and inquisitive eyes, was only ten years old, yet he was already showing signs of the artistic and passionate young man he would become.

In the gardens, Benedict was engrossed in a spirited game of hide-and-seek with his siblings and their dear friends, the Y/L/Ns. The daughter of the Duke of Ashbourne, Y/N, was Benedict’s favorite playmate. Her laughter was his favorite and her eyes mirrored something so beautiful, so pure.

Benedict, you’ll never find me!” Y/N called out, her voice echoing through the hedges.

He grinned, determined to prove his best friend wrong. They had spent countless afternoons exploring the grounds, creating imaginary worlds, and sharing secrets that only they understood.

Finally, he spotted her hiding behind a rosebush. “Got you!” he exclaimed, grabbing her hand and twirling her around.

She laughed, her joy infectious. “You always find me, Benedict.”

He smiled, a blush creeping up his cheeks. “I’ll always find you, Y/N.”

But the idyllic days of childhood were not to last. That evening, over dinner, the Duke of Ashbourne announced that his family would be leaving London for an extended stay in Italy. The news hit Benedict like a blow, and he struggled to hide his disappointment. He looked over at his friend and saw those same pure eyes filling up with tears. It broke his tiny heart into pieces.

“Leave London? Whatever for?”

Benedict was thrilled that his mother asked because he desperately needed to know why they had to leave.

“We have decided it is time to show our children the world. My father took me on similar journeys when I was their age, and those experiences were invaluable. I want Thomas and Y/N to have the same opportunities—to see different places, learn new things, and broaden their horizons.”

Your mother nodded in agreement, her expression resolute. “We believe it will be good for their education. There’s so much to learn beyond the walls of London, and we want to give them a chance to explore and grow in ways they cannot here.”

Violet glanced at the Viscount, her husband Edmund, who had been listening quietly. He smiled and nodded, understanding the importance of such a decision. “I agree with you, William,” he said to your father. “Traveling and experiencing different cultures can provide a wealth of knowledge and perspective that one simply cannot gain from books alone.”

Thomas, your older brother, seemed very excited about the upcoming adventure.

But Y/N did not.

She was thinking all about how terribly she was going to miss her dear friend Benedict and how awful it was going to be, not to be in his presence all the time.

After dinner, Benedict found Y/N in the music room, softly playing the pianoforte. He approached her, his heart heavy.

“Why do you have to go?” he asked, his voice barely above a whisper.

Y/N looked up, her eyes filled with sadness. “Father believes it’s for the best. He wants us to experience life. He also mentioned that we will also visit Greece and many more."

“But what about us? What about our adventures?” Benedict’s voice cracked with emotion.

She reached out, taking his hand in hers. “We’ll always have our memories, Benedict. And we’ll see each other again. I promise.”

Benedict squeezed her hand, trying to hold back tears. “Promise?”

“Promise,” she echoed, her voice firm despite the tears in her eyes.

After staying a few more days at Aubrey Hall, the Y/L/N family departed, leaving a void in Benedict’s heart. As their carriage disappeared down the long driveway, he stood beside his father, Edmund Bridgerton, who placed a comforting hand on his shoulder.

“Time will pass quickly, my boy,” Edmund said gently. “And you’ll see her again before you know it.”

Benedict nodded, but the ache in his heart remained. Little did he know, their next meeting would be years away, and the feelings he harbored would only grow stronger with time.

Years had passed since the Y/L/N family’s departure, and Benedict had grown into a handsome and talented young man. He pursued his passion for art with fervor, yet a part of him always yearned for the companionship he had once shared with Y/N.

The sun had just begun to set, casting a warm golden glow over Aubrey Hall, when Lady Violet Bridgerton received the letter. She was seated in the drawing room with her children, each engaged in their own activities. Anthony was reviewing estate documents, Colin was reading a book, Eloise was writing furiously in her notebook, and the younger ones were playing a game by the fireplace.

"Everyone," Lady Violet called, her voice filled with excitement. "I have just received the most wonderful news."

The Bridgerton children looked up, curiosity piqued.

"What is it, Mother?" Anthony asked, setting aside his papers.

Lady Violet grinned. "We are to have guests. The Duke and Duchess of Ashbourne, along with their children, are coming to visit."

A chorus of reactions followed. Eloise raised an eyebrow. "The Ashbournes? Weren't they the family that moved away to travel the world?"

"Yes, indeed," Lady Violet confirmed. "The duke was a dear friend of your father. They moved away years ago, but they have decided to return for a time."

"Does this mean we’ll get to see Thomas again?" Colin asked, a grin spreading across his face. "I always liked him."

"And Y/N," Daphne added, her eyes twinkling. "I remember she was always so talented in the pianoforte and the harp."

Benedict remained silent, a slight blush creeping up his neck. He hoped no one would notice, but of course, Anthony did.

"Well, well, Benedict," Anthony said, a mischievous glint in his eye. "It looks like your childhood crush will be reunited with you," Anthony said, a mischievous glint in his eye.

Benedict tried to maintain his composure. "Don't be ridiculous, Anthony. That was ages ago."

Colin chimed in, unable to resist the opportunity to tease his brother. "Oh, come on, Benedict. We all remember how you used to follow her around like a lost puppy."

Eloise snickered. "And how you would turn bright red whenever she spoke to you."

Benedict sighed, knowing he was fighting a losing battle. "I was a child. We’ve all grown up since then."

"Perhaps," Anthony said, leaning back in his chair. "But it will be interesting to see how things play out now that you’re both adults."

Lady Violet intervened, her eyes sparkling with amusement. "Enough teasing, boys. Let us make sure everything is ready for their arrival. They will be here in a few days, and I want everything to be perfect."

As the family dispersed to prepare for their guests, the three Bridgerton brothers found themselves alone in the study.

Anthony leaned against the desk, his expression thoughtful. "It will be good to see Thomas again. He was always a good friend."

Colin nodded. "I heard he’s become quite the gentleman. And he was always supportive of Y/N’s education and talents. Not like most men of our time."

"True," Anthony agreed. "Thomas was never one to adhere strictly to societal norms. He always did what he thought was right."

Benedict, who had been quiet, finally spoke up. "I wonder how much Y/N has changed. She was always so passionate about music and poetry."

Colin grinned. "Still thinking about her, eh? You know, Anthony and I used to place bets on when you would finally tell her how you felt."

Benedict rolled his eyes. "You’re never going to let this go, are you?"

Anthony laughed. "Not a chance. But in all seriousness, Benedict, it will be good to see them again. And who knows? Maybe this visit will bring about some unexpected surprises."

Benedict sighed, but a small smile played on his lips. "Maybe."

Y/N stood by her bedroom window, looking out at the rolling hills of their estate as the sun began its slow descent. She was filled with a mix of excitement and apprehension about their imminent departure to Aubrey Hall. The Bridgertons had always held a special place in her heart, especially Benedict, but years and distance had complicated those feelings.

"Are you ready, Y/N?" Thomas's voice called from the hallway.

Y/N turned away from the window and smiled as her brother entered the room. "Almost. Just gathering my thoughts."

Thomas gave her a knowing look. "Excited to see the Bridgertons again?"

"Of course," Y/N replied, smoothing down her dress. "It's been too long."

Thomas leaned against the doorframe, his expression thoughtful. "You know, Anthony mentioned in his letters that Benedict has been quite busy at the Royal Academy. Apparently, the place is famous for its...nude models."

Y/N's hand froze mid-air, her heart skipping a beat. "Nude models?"

Thomas nodded, a playful smirk tugging at his lips. "Yes, it seems our dear Benedict has been immersing himself in all aspects of art. Anthony said in his letter something about him knocking over an easel while staring at a rather attractive model. Everyone had a good laugh. Quite the scandal, isn't it?"

Y/N's cheeks flushed as she tried to mask her reaction. "It's part of his training, I'm sure. Nothing more."

Thomas watched her carefully, his smirk growing. "You’re right. Still, it's interesting, don’t you think?"

Y/N forced a smile. "What’s your point, Thomas?"

"My point," he said, stepping closer, "is that you seem unusually interested in Benedict’s artistic pursuits."

Y/N met her brother’s gaze firmly. "I’m interested in all my friends' pursuits. Nothing unusual about that."

Thomas chuckled, shaking his head. "Very well. But remember, Y/N, I know you better than anyone. I can tell when something—or someone—is on your mind."

Y/N lifted her chin. "And I can assure you, Thomas, that my mind is perfectly clear."

"Fine, fine," Thomas said, raising his hands in mock surrender. "But if you ever need to talk about anything, you know where to find me."

Y/N nodded, grateful for her brother's support, even if she wasn’t ready to share her feelings. "Thank you, Thomas. Now, let’s focus on the journey ahead."

"Agreed," Thomas said, offering his arm. "Shall we?"

Y/N took his arm, and they made their way downstairs where their parents were waiting. As they stepped outside, she felt excited about the days to come. But also jealousy, which she never felt before in her life. She knew that it was none of her business what Benedict did or did not do. Nevertheless, she could not help herself feeling this way.

The journey to Aubrey Hall was filled with excitement and nostalgia. As their carriage approached the estate, memories of their childhood flooded Y/N’s mind. She felt a mix of eagerness and nervousness, wondering how much had changed. Still, there was a feeling Y/N couldn't shake away. The things that her brother told her about Benedict still haunted her. Benedict changed, she knew that for certain, but she really hoped that his feelings did not.

" It feels so strange to be back again," Thomas said, making Y/N turn to him. "It is like we have never left."

Her father nodded. "I get what you mean. It was like yesterday when you and Benedict were chasing Y/N and Daphne in the garden while Edmund and I were watching with a smile on our faces."

After mentioning the late Viscount, the eyes of your father started to fill with tears. He was in shock when the news came that Edmund passed away. It took him a few months to process the tragic loss of his closest friend. Y/N could not even imagine what Benedict went through.

"We all miss him terribly," your mother said, taking her husband's hand in hers. "But there is no need to sadden ourselves with the past. You will get to see Anthony as the new viscount. I'm sure he fitted the title well."

Your father smiled at his wife and kissed her hand. She always knew how to lift her spirits.

"Just like how Thomas will fit the title of the duke of Ashbourne well." Thomas rolled his eyes while Y/N and her parents started laughing.

"Believe me, father, that it will be years before I will get the title. You will live a long life with mama and your children and grandchildren by your side."

the funny banter between the Ashbourne family was not something new. They always have differed from the rest of the ton. There was no marriage pressure. The duke and duchess put the education of their children first, wanting nothing but happiness for them.

"Look, they have arrived!"

The Ashbourne carriage rolled to a stop in front of Aubrey Hall, the Bridgerton family waiting outside to greet their guests. The air was filled with anticipation and a touch of nostalgia as the two families prepared to reunite after so many years.

Lady Violet stepped forward with a warm smile. "Welcome, welcome!"

The Duke of Ashbourne, a distinguished gentleman with a friendly demeanor, was the first to step out, helping his elegant wife, the Duchess of Ashbourne, out of the carriage. Following them were Thomas and Y/N, who looked around with a mix of excitement and nervousness.

"It’s wonderful to see you, Violet," the Duke said, embracing Lady Violet. "Thank you for having us."

"The pleasure is all ours," Lady Violet replied. "We’ve missed you terribly."

As the Ashbournes stepped out of the carriage, the Bridgerton children moved forward to greet them. Anthony, Colin, and Benedict engulfed Thomas in a warm embrace.

"Thomas, it’s been far too long," Anthony said, clapping him on the back.

"Indeed," Thomas replied, smiling. "It’s good to see you all."

Y/N followed, greeting each Bridgerton sibling with a warm smile and a hug, her demeanor friendly and welcoming. However, when she reached Benedict, her expression changed. She gave him a polite nod; her smile barely reaching her eyes.

When Benedict watched her getting out of the carriage, he only had one thought.

She is breathtakingly beautiful.

Her blonde hair changed into a darker shade of brown, but her eyes were the same. They were still mirroring such beauty he wished he could draw. Her smile was still contagious, affecting him immediately with his own.

" Mr Bridgerton, it is good to see you. How have you been?"

Mr Bridgerton? Why was she so formal suddenly? Was she not as excited to see him as he was seeing her?

"Miss Y/L/N, It is great to see you too. I am well, thank you for asking, been quite busy with my paintings."

Y/N’s gaze turned icy. "So I’ve heard." Without waiting for a response, she turned and walked straight inside, leaving Benedict standing there, bewildered.

As Benedict watched her retreating figure, he felt a pang of hurt and confusion. He glanced towards Thomas, who was already looking at him with a knowing look, a faint smile playing on his lips.

Sensing the tension in the air, Thomas was the first to speak. "Well, it is rather chilly out here. Let’s all follow my dear sister inside, shall we?"

The group laughed, the tension easing slightly as they followed Thomas into the grand entrance hall of Aubrey Hall.

As they made their way inside, the tension between Y/N and Benedict did not go unnoticed by the rest of the family. Lady Violet exchanged a concerned glance with the duchess while Anthony observed the interaction with a furrowed brow.

Once inside, they were led to the grand dining room, where a sumptuous feast awaited them. The grand dining room at Aubrey Hall was resplendent with crystal chandeliers casting a warm glow over the elegantly set table.

The Duke of Ashbourne, seated beside Lord Anthony Bridgerton, raised his glass. “To old friends and new beginnings,” he toasted, his voice rich and warm.

The toast was met with a chorus of agreement and the clinking of glasses. As the first course was served, Lady Violet began the conversation. “William, Eleanor, how has your journey been so far? Any memorable adventures?”

Eleanor smiled, glancing at her children. “It’s been a wonderful experience. We’ve seen so many beautiful places, and the children have learned a great deal.”

“Indeed,” the Duke added. “Thomas and Y/N have taken to it splendidly. Y/N, in particular, has been quite inspired by the landscapes for her poetry.”

Lady Violet’s eyes sparkled with interest. “Poetry, Y/N? That’s marvelous. You must share some with us later.”

Y/N smiled politely. “Of course, my lady. I’d be happy to.”

As the conversation flowed, it eventually turned to the Bridgerton siblings. “Benedict,” the Duke said, turning his attention to the second eldest Bridgerton, “I hear you’ve made quite a name for yourself at the Academy.”

Benedict, who had been quietly observing Y/N, nodded. “Yes, Your Grace. I’ve been fortunate to study under some very talented artists.”

Y/N, unable to suppress her irritation, interjected with a cool tone. “Including some very talented models, I’ve heard.”

The room fell silent, the tension palpable. Benedict’s cheeks reddened slightly, but he maintained his composure. “Yes, we do work with models. It’s a necessary part of our training.”

The duchess, sensing the awkwardness, tried to steer the conversation back on track. “I’m sure the experience has been invaluable, Benedict. Art requires such dedication.”

Benedict nodded, but his eyes remained on Y/N. “It has been invaluable. Every aspect of it contributes to our growth as artists.”

Thomas, ever the peacemaker, chimed in. “Anthony told us about some of your work. It sounds quite impressive.”

Y/N’s lips curled into a tight smile. “Yes, very impressive. Especially the part where you managed to knock over an easel. Quite the spectacle, I hear.”

Benedict’s jaw tightened, and he glanced around the table, noting the concerned expressions of his family. “It was a mistake. One that was quickly rectified.”

Colin, trying to lighten the mood, laughed. “Well, Benedict has always had a flair for the dramatic.”

Eloise nudged her brother. “Perhaps a bit too much flair, at times.”

Laughter rippled around the table, but the underlying tension remained. Y/N felt a pang of guilt but was too stubborn to relent. She glanced at her brother, who gave her a pointed look, silently urging her to ease up.

Lady Violet, ever the gracious hostess, smoothly transitioned the conversation to more neutral topics, asking about the sights the Ashbourne family had visited and their future plans. The dinner continued, but the strained interactions between Y/N and Benedict cast a shadow over the evening.

As dessert was served, Lady Violet addressed Y/N directly. “Y/N, my dear, I’ve heard you play the pianoforte beautifully. Would you grace us with a performance after dinner?”

Y/N, grateful for the distraction, nodded. “Of course. It would be my pleasure.”

The meal concluded with polite conversation, but the tension lingered. Y/N excused herself to prepare for her performance, and as she left the dining room, she felt Benedict’s gaze on her, filled with a mix of hurt and confusion.

Later that evening, Y/N sat at the grand pianoforte in the drawing room, her fingers dancing gracefully over the keys. Heart filled with the hauntingly beautiful melody of a piece, she knew the room—Benedict's favorite.

The Bridgertons and Y/L/N's watched in silent admiration, but Benedict’s eyes never left Y/N. He was captivated, every note and every word pulling him deeper into the memories of their shared past. As the song drew to a close, Y/N’s eyes glistened with unshed tears, and as the last note lingered in the air, a single tear slipped down her cheek. Across the room, Benedict’s own eyes misted over, a tear tracing a path down his face as well. The rest of the family exchanged knowing glances, sensing the intense, unspoken connection between the two.

Y/N stood, curtsied, and, with a polite smile, excused herself from the room, needing a moment alone to compose herself. As she walked down the dimly lit hallway, her heart ached with a mixture of regret and confusion.

Benedict, unable to bear the distance and misunderstanding any longer, quietly followed her into a room. “Y/N, wait,” he called softly.

She stopped but didn’t turn around, taking a deep breath to steady herself. “Yes, Benedict?” Her voice was calm but strained.

He approached her cautiously, his expression a mix of determination and vulnerability. “Why are you treating me like this? What have I done to deserve your coldness?”

Y/N finally turned to face him, her eyes flashing with a mix of anger and hurt. “I don’t know what you’re talking about, Benedict. I’ve been perfectly polite.”

Benedict shook his head, frustration evident in his voice. “No, you haven’t. You’ve been distant, cold. This isn’t like you. Please, tell me what’s wrong so that I can fix it."

She crossed her arms defensively, her gaze piercing. “I don’t know what you’re imagining, but there’s nothing wrong. Perhaps you’re just seeing what you want to see.”

His frustration bubbled over, and he stepped closer, his voice low and intense. “This isn’t about what I want to see, Y/N. This is about what’s real. You’ve changed towards me, and I need to know why.”

She took a step back, her breath hitching. “It doesn’t matter, Benedict. Go back to your paintings and models. I could not care less."

His frustration turned to desperation, Benedict reached out and gently but firmly grasped her arm, pulling her back towards him. They stood face to face, the tension between them crackling with electricity. His voice was a murmur, filled with desperate longing. “But you do care, don't you? Why do you care, Y/N? Tell me.”

Her eyes locked onto his, the intensity of his gaze making her heart race. She tried to look away, but he cupped her cheek, forcing her to meet his eyes. “Tell me, Y/N. Please.”

Her defenses crumbled, and she whispered, her voice breaking. “I don’t care. Why should I? What you do is your own concern.”

His grip on her arm tightened slightly, his breath warm against her skin as he leaned in closer. “You do care. I can see it in your eyes. In your big beautiful eyes. Why won’t you admit it?”

Her voice was barely more than a whisper, trembling with the effort of holding back her emotions. “Because it’s easier not to. Because admitting it means facing the truth.”

“What truth?” Benedict’s voice was a mere breath away, his lips inches from hers.

Her heart pounded in her chest, and she could no longer deny the truth to herself or to him. “That I never stopped caring about you, Benedict. That I’ve loved you since we were children, and the thought of you with someone else… it breaks my heart.”

His eyes softened, and he leaned in closer, his breath mingling with hers. “And I’ve loved you, Y/N. I’ve loved you every single day we’ve been apart.”

She closed her eyes, the tears finally spilling over. “Then why didn’t you ever tell me?”

“I was a fool,” he admitted, his voice thick with emotion. “I was afraid you wouldn’t feel the same way. But I can’t keep it inside any longer.”

Before she could respond, he closed the distance between them, capturing her lips in a kiss that was both tender and passionate. The world seemed to fade away as they poured all their longing and love into that one moment, finally allowing themselves to feel what they had denied for so long.

When they finally pulled apart, both were breathless, their foreheads resting against each other. “No more secrets,” Y/N whispered, her voice shaky but filled with hope.

“No more secrets,” Benedict promised, his eyes shining with love and determination.

They stood there for a moment, holding each other, the weight of their confessions lifting from their shoulders. The tension that had once filled the air was replaced with a sense of peace and newfound understanding.

Just then, a voice broke the silence. "Well, well, what do we have here?"

Y/N and Benedict sprang apart, startled, as Thomas stepped into the hallway. His expression was serious, his eyes locked on Benedict. Y/N's heart raced, fearing her brother's reaction.

"Thomas, I—" Y/N began, but Thomas held up a hand to silence her.

"I always knew I’d have to deal with this day," Thomas said, his voice low and dangerous. He turned his gaze to Benedict, who stood his ground, though a hint of apprehension flickered in his eyes. "Benedict Bridgerton, you have compromised my sister's honor. There’s only one way to settle this."

Y/N’s eyes widened in fear. "Thomas, please, don’t—"

Thomas continued, a stern look on his face. "We must duel."

The hallway fell silent, the tension thick in the air. Then, to Y/N's utter astonishment, Thomas’s serious expression broke into a wide grin, and he burst out laughing.

"I’m just kidding!" he exclaimed, clapping Benedict on the shoulder. "You should have seen your faces!"

Benedict let out a relieved laugh, shaking his head. "Thomas, you nearly gave us both a heart attack."

Y/N exhaled deeply, her heart still pounding. "Thomas, that wasn’t funny!"

"It was a little funny," Thomas said, still chuckling. "But really, everyone in the drawing room is waiting for you two. They’ve been hoping for this day for a long time."

Y/N and Benedict exchanged a glance, their relief mingled with the lingering rush of adrenaline.

Thomas gestured back towards the drawing room. "Come on, let’s not keep them waiting."

As they re-entered the room, the gathered family turned to look at them. Lady Violet and the duchess’s faces lit up with delight, and Daphne’s eyes sparkled with joy. The Duke of Ashbourne stood beside Lady Eleanor, his expression warm and approving. Anthony, Colin, Eloise, Gregory, and Hyacinth were also present, each showing various degrees of amusement and happiness.

"There you are!" Lady Violet said, her smile warm and knowing. "We were starting to wonder if you’d gotten lost."

"Come on," Colin said, grinning broadly. "Don't keep us waiting. Are you finally together or not?"

Y/N's cheeks flushed as she glanced at Benedict, who nodded, smiling. "Yes, we are," she said, her voice clear and steady.

Lady Eleanor’s face lit up even more. "Well, then, I think it’s safe to say we can start planning a wedding."

Y/N’s eyes widened in surprise. "Mama, it’s way too soon for that!" she exclaimed, her cheeks flushing even deeper.

The Duke of Ashbourne chuckled, patting Y/N's shoulder gently. "Your mother is just excited, dear. But we should let the young couple take their time."

Colin and Anthony, standing near the fireplace, exchanged a look and grinned. "Well, Benedict, looks like you’ve finally caught the eye of a Duke’s daughter," Colin teased.

"Always aiming high, aren’t you, brother?" Anthony added, his tone playful.

Benedict, his arm still around Y/N, beamed. "I guess I’ve always known what I wanted."

Daphne approached Y/N, embracing her warmly. "Welcome to the family, officially."

Y/N’s heart swelled with happiness. "Thank you, Daphne. I’m so glad to be here."

Eloise, ever the sharp-witted observer, smirked. "Well, it’s about time. I was beginning to think you two would never figure it out."

Gregory and Hyacinth, the youngest Bridgerton's, clapped excitedly. "Does this mean we get to have another party?" Gregory asked, his eyes wide with anticipation.

Hyacinth grinned. "I hope so! I love weddings!"

As the evening continued, the family celebrated the long-awaited union. Lady Violet and Lady Eleanor eagerly discussed wedding plans, while the Bridgerton brothers teased Benedict good-naturedly.

Thomas, watching the scene with a satisfied smile, caught Y/N’s eye and gave her an encouraging nod. She smiled back, her heart full.

Later, as the festivities wound down, Y/N and Benedict found a quiet moment together. He took her hand, his eyes full of love. "I meant every word I said earlier, Y/N. I love you, and I want to spend the rest of my life with you."

She looked up at him, her heart brimming with emotion. "And I love you, Benedict. More than I can say."

He leaned down, pressing a tender kiss to her lips. "Let's always be together. Always."

"Agreed," she whispered, feeling the weight of the past lift away.

As they stood there, surrounded by family and love, Y/N knew that this was just the beginning of a beautiful future together.

#benedict bridgerton #fluff #benedict bridgerton x reader #bridgerton #benedict bridgerton x you #benedict bridgerton fluff #bridgerton netflix #bridgerton s3 #benedict bridgerton x fem!reader #bridgerton x reader

412 notes · View notes

symphoniesofthenewmillennium · 1 month ago

Text

youtube

0 notes

iliketangerines · 4 months ago

Text

manhandling

a/n: RAAAAH SIZE KINK

pairing: jake sully x afab!human!reader

warnings: nsfw (MDNI), thigh riding, manhandling, size kink, public sex, feelings

you yelp as Jake lifts you up from the ground and into his lap, telling you to come and relax and stop being a scientist for just a moment

he traps you underneath his thick arm pinned across the expanse of your stomach, and you squirm in his grip, trying to fight the heat rising in your stomach

never would you admit it to him, but arousal always curled in your gut every time he would pick you up effortlessly, like you weighed nothing

in a way you suppose you did weigh nothing to him, you were only at his hip height, and his time with the Omatikaya had left him with muscles the size of your head

Jake sighs and hugs you tighter to his warm body, and you bite your lip to stifle the whine coming out from your throat as his voice rumbles through you telling you to stop struggling

his tail comes around to lazily lay on top of your legs, flicking every so often as he stares at the fire in the middle of the clan, and you complain, saying that this was important for studying Omatikaya culture

he rolls his eyes at you and says that he could tell you all about it if you just asked him or Neytiri or even Tsu’tey, though the warrior might actually kill you if you did

you whine, saying that it wasn’t the same as first-hand observation, but you’ll definitely take him up on that offer at some point

once more, he rolls his eyes at you and picks you up one more time to perch on top of one of his thigh, using his leg effectively as a seat, both of your legs straddling his thigh

he keeps one large hand on your hip to keep you from running away while he leans his weight on his other hand

you’re fighting demons you swear to god with the way the muscle presses into you, and you swear hope and pray to god, even to Eywa, that he can’t feel the wetness pooling in your tewng

you curse at the thinness of the material, Neytiri insisting on you wearing the traditional Omatikaya clothing, and you keep a firm grip on Jake’s forearm to stay balanced on the leg

Jake just listens to the music in the air, unmoving except for the occasional shift, causing his thick thigh to grind against your needy clit, and you take deep breaths to try and stay calm

he takes in a sharp breath and hums, slightly moving his weight forward so that his other hand could settle on the other side of your hips, and you swear you stop breathing

his body moves forward just enough so that his lower torso presses into your back, and he mumbles into your ear, hot breath fanning over the shell of your ear, saying that he knows what he’s doing to you

you freeze like a deer in headlights, body stiffening and your grip on his forearm tightening just the slightest bit, and you force out an awkward laugh and ask what he means

Jake lets out an amused huff of air through his nose and whispers low in your ear, gravely and dark, that he can smell your arousal right now

that every time he moved you, that he could smell your sweetness, your want thick in the air, and that he had to fight off all those suitors every time he moved you like a doll

you don’t move, still as a statue as horror dawns in you that his enhanced smelling included being able to smell how desperate you are

before you can even apologize, his grip on your hips tighten, and he slightly moves you back and forth, friction grinding deliciously on your clit

your brain can’t catch up on the action, and you’re too late to try and stifle the slight needy whimper that escapes your mouth

he hums, vibrations echoing through his chest and into your head, scrambling your brain as his hands move you slightly back and forth on his thigh, just enough to give you the friction you craved but not enough to drive you over the edge

your body moves slow against his thigh, and you unsuccessfully fight the gasps and whimpers coming out of your throat as your nails dig into his forearm

bouncing his thigh up and down, you let out a loud keen at the feeling, uncaring that the two of you were still out in the public, in front of the communal fire

he laughs quietly at your reaction, mumbling that you really were just a needy little thing, and Jake keeps bouncing his leg, moving you back and forth on his thigh like a doll

you squeeze your eyes shut, gasping for air through your mask, and you whine out his name, his hands warm and encompassing your entire body as you slowly climb the peak for your pleasure

it’s too much, the fact that anyone could look over and see what you two were doing, the friction of your tewng against your sensitive clit, the slight bounces of his thigh pressing your clit further into the wet fabric of your tewng, the fact he was moving you so effortlessly

your hands can only grip uselessly onto his forearm to try and ground yourself in reality as your orgasm slowly creeps up on you, covering you like a warm blanket and spreading warmth through your body

he hums as you gasp and ride out your orgasm on his thigh, letting him grind you against his thigh however much he liked

as the pleasure slowly bleeds into overstimulation, Jake stops, slowing down his movement for you to catch your breath and come sink down from the high of pleasure

you huff for air and open your eyes, vision only slightly blurry from how tightly you had squeezed them shut, and you ask what that was, voice slightly raspy from all the whining

his pointer finger taps on your hip, as if considering what the two of you were, and then he finally answers, that he wanted to court you, had wanted to since you had rushed to defend him against the nantang that first night despite the fact they were more than half your height

a sharp breath leaves your nose, that was a few months ago, and you turn your head to look at him, eyebrows raised in surprise

Jake only tilts his head at you, lifting you up to properly perch you on his thigh so that your knees bumped against the inside of his other thigh

his voice sounds unsure as he asks you if you would permit that, to let him court you, and you blink up at him and then roll your eyes, bringing up a hand to smack at his chest

of course you would let him court you, why else would you let him manhandle you?

#tangerine writes #summersinpandora2024 #avatar 2009 #avatar james cameron #avatar the way of water #avatar smut #avatar x human reader #avatar x reader #avatar x y/n #avatar x you #atwow smut #atwow x human reader #atwow x reader #atwow x you #atwow x y/n #jake sully x reader #jake sully x y/n #jake sully x you #jake sully smut

321 notes · View notes

zot3-flopped · 7 months ago

Text

Sylvia Plath did not stick her head in an oven for this! When Taylor Swift took the Grammys stage last month to claim her award for Best Pop Vocal Album for Midnights, she saw that spotlight as an opportunity to announce her 11th studio album: The Tortured Poets Department. The follow-up cut to audience members—Swift’s music industry peers, mind you—told us all that we would ever need to know, and the collective disinterest across the crowd echoed through our TVs.

Folks from all walks of life took to social media to express a multitude of reactions. Swifties clamored to their beloved monarch’s forthcoming era, while others lambasted the terminally cringe title and artwork and ridiculed Swift for making a night recognizing musical achievements across an entire industry about herself—knowing perfectly well that it would send her fanbase into a surge that would, no doubt, overpower the excitement around the ceremony itself.

Quite a few people questioned whether or not that moment suggested that a critical—definitely not commercial—tide would turn against the world’s most-famous pop star. And, perhaps it has—but, to most, it will look like nothing more than a single ripple in Swift’s ocean of successes.

Swift remained relatively hush-hush about The Tortured Poets Department up until its release, leaving her fans, admirers and haters alike with nothing but an album title to ponder about. And it’s a bad title.

If you have never been in Swift’s corner, her taking the route of labeling her next “era” as “tortured” was likely catnip for your disinterest. If you are a fan—not necessarily a Swiftie, but even just a casual lover of her best and brightest work—you might be beside yourself about the first Swift album title longer than one word in 14 years.

In terms of popularity—certainly not always in terms of quality—no musician has been bigger this century than Swift, which makes it impossible to really buy into the “torture” of it all.

This is not to say that Swift being the most famous person in the world makes her immune to having multi-dimensional feelings of heartbreak, mental illness or what-have-you.

But, she has made the choice—as a 34-year-old adult—to take those complex, universal familiars and monetize them into a wardrobe she can wear for whatever portion of her Eras Tour setlist she opts to dedicate to the material.

Torture is fashion to Taylor Swift, and she wears her milieu dully. This album will surely get comparisons to Rupi Kaur’s poetry, either for its simplicity, empty language, commodification or all of the above.

And, sure, there are parallels there, especially in how The Tortured Poets Department, too, is going to set the art of poetry back another decade—as Swift’s naive call-to-arms of her own milky-white sorrow rings in like some quintessential “I am going to take pictures of a typewriter on my desk and have a Pinterest mood-board of Courier New font” iPhone fodder. 2013 called and it wants it capricious, suburban girl-who-is-taking-a-gap-year wig back!

Soaking our book reports in coffee or having our moms burn the edges with a kitchen lighter cannot come back into fashion; the cyclical notions of culture cannot make the space for such retreads.

There is nothing poetic about a billionaire—who, mind you, threatens legal action against a Twitter account for tracking her destructive private jet paths—telling stadiums of thousands of people every night that she sees and adores them.

Tavi Gevinson says it well in her Fan Fiction zine: “When 80,000 people are also crying, you become less special, too.” If Swift can return to one of her dozen beach houses across the world, kick up her feet and say “I’m a poet of struggle,” then who is to say that millions—maybe billions—of people with access to a notes app and a social media account won’t dream that dream, too?

Maybe that looks like a net-positive, but it’s inherently damning and destructive to take an art form that has long stood on the shoulders of resistance, of love and of opposition to power, systematic injustice and climate warfare and boil it down to the new defining era of your own 10-digit revenue empire. “My culture is not your costume,” yada, etc.

The Tortured Poets Department does begin with a shred of hope that, just maybe, Swift knows what she’s talking about—as she sneaks in a cheeky “all of this to say,” textbook transitional phrasing for poets, on opening track “Fortnight.”

But “Fortnight” unmasks itself quickly as a heady vat of pop nothingness, though it isn’t all Swift’s fault. “I was a functioning alcoholic, ‘til nobody noticed my new aesthetic,” she muses, attempting to bridge the gap between a behind-the-scenes life and on-stage performance—only for it to occur while propped up against the most dog-water, uninspired synth arrangement you could possibly imagine.

Between producer Jack Antonoff’s atrocious backing instrumental and the Y2K-era, teen dramedy echo chamber of a vocal harmony provided by out-of-place guest performer Post Malone, “Fortnight” chokes on the vomit of its own opaqueness.

“I took the miracle move-on drug, the effects were temporary,” Swift muses, and it sounds like satire. This is your songwriter of the century? Open the schools.

The Tortured Poets Department title-track features some of Swift’s worst lyricism to-date, including the irredeemable, relentlessly cringe “You smoked then ate seven bars of chocolate, we declared Charlie Puth should be a bigger artist / I scratch your head, you fall asleep like a tattooed golden retriever” lines glazed atop some synthesizers and drums that just ring in as hollow, unfascinating costuming.

Aside from the Puth nod, which I can only discern as a joke (given the fact that he is one of the 150-most streamed artists in the world and is one of the blandest pop practitioners alive—I don’t care if he can figure out the pitch of any sound you throw at him), I think Antonoff should stick to guitar-playing. Get that man away from a keyboard, I’m begging you.

Synths can be, if you use them correctly, one of the most emotional and provocative instruments in any musician’s tool-box. There’s a reason why keyboards defined the 1980s; they rebelled against the very oppressive nature existing outside of the cultural company they kept. There’s resistance in electronic music that, while they brandish an aesthetic that, to a layman’s ears, seems like technicolor hues for any infectious pop track, it’s a genre that aches to tell its own story. That is simply not the case here, and that electronica hangs Swift out to dry when she drags us through the lukewarm “I laughed in your face and said, ‘You’re not Dylan Thomas, I’m not Patti Smith’ / This ain’t the Chelsea Hotel, we’re modern idiots” lines, only to hit us with a softly sung F-bomb that sounds like a billionaire’s rendition of that one Miranda Cosgrove podcast clip.

I used to rag pretty heavily on Reputation—mostly because I thought (and still do, mostly) that it sounded like Swift had given up on making interesting, progressive pop music; that, in the wake of her (arguably) best album, 1989, it seemed like she’d lost the plot on where to go next. But as she’s put out Midnights and The Tortured Poets Department back-to-back, I find myself clamoring for the Reputation-era more than ever—at least seven years ago, Swift wrote songs like she had something to prove and even more to lose.

That was the always-obvious charm of Reputation, even despite the downsides—that she took a big swing from the echelons of her own musical immortality, that the comforts of winning every award and selling out the biggest venues in the world were no longer pillowing her aspirations. Even though that swing didn’t land, she still made it in the first place—and Swift is at her best either when she is clawing upwards (Reputation) or faced with nowhere to go but into the studio and noodle with the bare-bones of her own sensibilities (folklore).

You get something like The Tortured Poets Department when the artist making it no longer feels challenged, where she strikes out looking.

The mid-ness of The Tortured Poets Department will not be a net-loss for Swift. She will sell out arenas and get her streams until she elects to quit this business (a phrase decidedly not in her vocabulary, surely).

She will sell more merch bundles than vinyl plants have the capacity to make, and rows of variant LP copies will haunt the record aisles of Target stores just as long as Midnights has—if not longer.

Perhaps, in five or six years’ time, we will speak of this record just as we now do of Reputation. But right now, it is obvious that Swift no longer feels challenged to be good. The Tortured Poets Department is the mark of an artist now interested in seeing how much their empire can atone for the sins of mediocrity.

Can Swift win another Album of the Year Grammy simply because she released a record during the eligibility period? The Tortured Poets Department reeks of “because I can,” not “because I should.”

On “I Can Fix Him (No Really I Can),” Swift tries stepping into the shoes of the country renegades who came before her—the Tammy Wynettes and Loretta Lynns of the world. But her self-aggrandizing inflation of importance, glinting through via a seismically-bland bridge, is backed by a minimal set dressing of guitar, drum machine and keys.

“Good boy, that’s right, come close,” she sings. “I’ll show you Heaven if you’ll be an angel—all mine. Trust me, I can handle me a dangerous man. No, really, I can.” On “Florida!!!,” Swift calls upon Florence + the Machine to help her sing the worst chorus of 2024: “Florida is one hell of a drug / Florida, can I use you up?”

Even Welch, who is a fantastic pop singer-songwriter in her own right, delivers a grossly watery verse: “The hurricane with my name, when it came I got drunk and I dared it to wash me away.”

Not even the typos on the Spotify promotional materials for this album could have foretold such offenses. I won’t even get into the sonics, because Antonoff just rewrites the same soulless patterns every time.

What separates The Tortured Poets Department from something like Reputation is that, on the latter, Swift made it known what was at stake and who she was making that album for—herself, in the aftermath of her greatest long-standing criticisms (“Look What You Made Me Do” triumphs exactly because of this).

On The Tortured Poets Department, there is a striking level of moral nothingness. The stakes are practically non-existent, and the album sounds like it was made by someone who believes that they had no other choice but to finish it, as if Swift fundamentally believes that her creative measures are firmly embedded in the massive monopoly her name and brand currently hold on popular music. That’s how you get meandering pop songs about hookups, wine moms, Stevie Nicks comparisons, Jehovah’s Witness suit mentions, hollowed-out, tone-deaf nods to white-collar crime in lieu of empowerment and, topically, Barbie dolls.

(Don’t even get me started on the Anthology lyrics, which feature these absolute barn-burners: “Touch me while your bros play Grand Theft Auto” and “My friends used to play a game where / We would pick a decade / We wished we could live in instead of this / I’d say the 1830s, but without all the racists / And getting married off for the highest bid.”) This album and its hackneyed grasps at relevance exist as “Did I just hear that?” personified, but in the most derogatory sense of the notion.

My Boy Only Breaks His Favorite Toys” features another low-point in Swift’s lyrical oeuvre, as she sings “I felt more when we played pretend than with all the Kens, ‘cause he took me out of my box”—perhaps a measure of her capitalizing on the Barbenheimer mania that none of us could escape, not even the musician who spent most of 2023 flying across the world from one country to another.

But you, us, the listener—we want to believe that Swift makes these records because she has the artistic will, drive and interest to continue giving us parts of her story in such ways that they exist as an archival of her life.

But the problem is that, on The Tortured Poets Department, Swift is packaging her life into a form that is easily consumable for the 17 or 18 years olds who pour over her music. Just because her Eras Tour film is on Disney+ doesn’t mean she has to strip her songwriting (which we know can be, and has been, phenomenal) down for the sake of it being digestible by a wide spectrum of ages.

And, sure, maybe that makes the work accessible. But on The Tortured Poets Department, Swift makes Zoomer jargon her bag—titling a song after one of the most popular video games in the world and conjuring flickers of “down bad” and “I can fix him”—and it feels like she’s cosplaying because the Fountain of Youth was out of order.

Now that Swift is in her 30s, it sounds like she is infantilizing her own audience more than ever before—that singing to them at a level that could force them to reckon with something more akin with adulthood would be some kind of kink in the coil or her consumeristic threshold, that writing lyrics that sound like they were penned by a 30-year-old would, somehow, deter the interests of the billions of people who adore her.

If making one, continuous coming-of-age album is what Swift has been doing for 15 years, folklore and evermore were hiccups in the timeline—existing as the most fully-formed renderings of Swift’s own insecurities and concerns. They mirrored our platitudes towards an uncertain future with sweet, stirring remarks about isolation and heartbreak and the unavoidable, hard-worn truth about getting older. On those records, her larger-than-life living seemed, for once, to truly feel as close to the ground as ours.

Now, though, Taylor Swift is at the top of the mountain. Far better artists have made far worse records than The Tortured Poets Department, but you can’t read between the lines of this project. There is nothing to decipher from a place of quality.

Sure, Swift’s fan base will pour over these lyrics for the rest of their lives—insisting they know, for certain, which song is about who. But you cannot place a bad album on the shoulders of lore and expect it to be rectified.

We are now left at a crossroads. Women can’t critique Swift because they’ll run the risk of being labeled a “gender traitor” for doing so. Men can’t critique her because they’ll be touted as “sexist.”

And, sure, Swift is probably too easy a punching bag in this case—and most of the time, I would argue she is undeserving of being a victim of such barbs. But, you cannot write about someone being a “tattooed golden retriever” and get away with it and still retain your title as the best songwriter of your generation. You just cannot.

Sisyphus should be glad he never got the boulder to the top of the mountain—because Taylor Swift is showing us that such immortality and success ain’t all it’s cracked up to be. And, when you’re standing on the peak alone, who else is there left to hit?

In a recent interview with The Standard, Courtney Love said that Swift is “not interesting as an artist,” and I think The Tortured Poets Department proves as much. She has nothing to fight for, no doubters left to drown.

So where does she turn? Well, to boredoms of celebrity thinly veiled as sorrow everyone and their mother can latch onto—because we’ve all had to “ditch the clowns, get the crown” at some point in our lives, right?

The billionaire is having an identity crisis, but there are no social media apps for her to buy up. So she sings like Lana Del Rey and writes meta-self-referential songs about looking like Stevie Nicks.

What’s hollow about The Tortured Poets Department is that the real torture is just how unlivable these songs really are. No one can resonate with “So I leap from the gallows and I levitate down your street, crash the party like a record, scratch as I scream ‘Who’s afraid of little old me?’ You should be.” And normally, that wouldn’t be an end-all-be-all for a pop record—but when your brand is built on copious levels of “I’m just like you!” as the demigod saying it to their fans does so from a multi-million-dollar production set, it’s hard to not feel nauseated by the overlording, overbearing sense of heavy-handed detritus we’re tasked with sifting through on The Tortured Poets Department.

Love’s words to Lana, her advice to “take seven years off,” should be applied to Swift. Now, that doesn’t mean that, to make a good album, you must sit on material for years and labor extensively through the sketching, shaping and recording in order for it to be transcendentally landmark. But it’s obvious now that not even Taylor Swift wants to be the head of an empire—that she, too, can’t outrun the damning fate of being plum out of ideas by hopping in her jet and skirting off to God knows where.

See you at the Grammys.

****

#this review is everything #anti taylor swift #taylor swift #travis kelce #3.6 !!!#hope Pitchfork comes for her too #jack antonoff #taylor swift reviews #the department of tortured poets

425 notes · View notes